Bach Bibliography
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1. One more time: Bach and Seventeenth-Century Traditions of Rhetoric. A paper read at the Second J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 9-10 December 2006. [p]BNUK_Oxford Dec 2006
2. Collections, bars and numbers: Analytical coincidence or Bach's design? A paper read at the Second J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 9-10 December 2006. [p]BNUK_Oxford Dec 2006
3. Bach: Luther's Musical Prophet? A paper read at the Second J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 9-10 December 2006. [p]BNUK_Oxford Dec 2006
4. The musician-novels of the German Baroque: new perspectives on Bach's world. A paper read at the Second J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 9-10 December 2006. [p]BNUK_Oxford Dec 2006
5. Bach's Chamber Music with Flute: a 'hands-on' approach to fact and fiction. A paper read at the Second J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 9-10 December 2006. [p]BNUK_Oxford Dec 2006
6. 'His superior ideas are the consequences of those inferior ones': Influence and Independence in Bach's Early Creative Development. A paper read at the Third J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 5-6 January 2008. [p]BNUK_Oxford Jan 2008
7. Bach materials in the Berlin Sing-Akademie: a preliminary stock-taking. A paper read at the Third J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 5-6 January 2008. [p]BNUK_Oxford Jan 2008
8. Performance and Reception of Bach's Matthew Passion in Berlin, 1829. A paper read at the Third J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 5-6 January 2008. [p]BNUK_Oxford Jan 2008
9. An Early English Imprint of the B minor 'Crucifixus'. A paper read at the Third J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 5-6 January 2008. [p]BNUK_Oxford Jan 2008
10. Nineteenth-Century Legacy Projected onto the Twenty First: A German-Israeli Dialogue on Bach's Passions. A paper read at the Third J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 5-6 January 2008. [p]BNUK_Oxford Jan 2008
11. Anna Magdalena as Bach's Copyist. A paper read at the Third J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 5-6 January 2008. [p]BNUK_Oxford Jan 2008
12. The 'Weimar Organ Tablature': Bach's Earliest Autographs. A paper read at the Third J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 5-6 January 2008. [p]BNUK_Oxford Jan 2008
13. Could the Thomaskantor Bach have been Allowed to Compose an Opera? A paper read at the Fourth International J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 3-4 January 2009. [p]BNUK_Oxford Jan 2009
14. Under the Spell of Opera? - Bach's Oratorio Trilogy of 1734-35. A paper read at the Fourth International J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 3-4 January 2009. [p]BNUK_Oxford Jan 2009
15. Passion and Drama in German Literature. A paper read at the Fourth International J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 3-4 January 2009. [p]BNUK_Oxford Jan 2009
16. The Dramaturgy of Religious Emotions in Bach's Cantatas: Aristotelian Processes in Neo-Platonic Frames. A paper read at the Fourth International J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 3-4 January 2009. [p]BNUK_Oxford Jan 2009
17. Bach and the Spirit of Music Drama. A paper read at the Fourth International J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 3-4 January 2009. [p]BNUK_Oxford Jan 2009
18. Recent Discoveries in St. Petersburg and their Meaning for Understanding Bach. A paper read at the Fourth International J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 3-4 January 2009. [p]BNUK_Oxford Jan 2009
19. Theological inferences drawn from Bach's cantata texts. A paper read at the Fourth International J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 3-4 January 2009. [p]BNUK_Oxford Jan 2009
20. The 'hybrid' recitatives of JS Bach. A paper read at the Fourth International J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 3-4 January 2009. [p]BNUK_Oxford Jan 2009
21. The Sound-Coded Politics: on the Cantata Tönet, ihr Pauken BWV 214 by Johann Sebastian Bach. A paper read at the Fourth International J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 3-4 January 2009. [p]BNUK_Oxford Jan 2009
22. 'Ways to Bach'. A paper read at the Fourth International J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 3-4 January 2009. [p]BNUK_Oxford Jan 2009
23. Musical Drama in the Coffee Garden: Nature, Mythology and Morality in J.S. Bach's Secular Cantatas. A paper read at the Fourth International J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 3-4 January 2009. [p]BNUK_Oxford Jan 2009
24. Buttstett-Mattheson dispute and its implication for Bach Studies. A paper read at the Fourth International J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 3-4 January 2009. [p]BNUK_Oxford Jan 2009

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